Classes










DRAWING
Beginners and Intermediate  

Instructor: Janly Jaggard

 Day Class
  Location: Studio 10
Eight (8) Tuesdays, 1:30 - 4:00 PM
Apr 1, 8, 15, 22, 29, May 6, 13, 20
Tuition $200 members ($230 non-members)

or




  Night Class
  Location: Studio 10

Eight (8) Wednesdays, 7:00 - 9:30 PM
Apr 2, 9, 16, 23, 30, May 7, 14, 21
Tuition $200 members ($230 non-members)
 
 

Students are encouraged to work from first hand observation and/or experience using the medium of their choice. Learning to look, respond and record in a personalized way are goals that are within the reach of each student.

DESIGN for the APPLIED ARTS
Beginner/Intermediate
Instructor: Janly Jaggard
Location:
  Studio 10

Five(5) Tuesdays, 10:30 - 12:30 PM 
Apr 1, 8, 15, 22, 29
Tuition $144 members ($174 non-members)

This five-week session will primarily focus on basic design: how to process ideas, create layout, form, composition, geometric balance, and color relationships.  This class is for anyone working in the applied arts such as pottery, sculpture, quilting, and other surface designers.  Students will be expected to work independently on class projects between classes.

DRAWING FOR PAINTERS
Beginners and Intermediate  

Instructor: Cleveland Morris
Location:  Lodge Hall

Nine(9) Thursdays, 9:30 - 12:00 PM 
Mar 27, Apr 3, 10, 17, 24, May 1, 8, 15, 22
Tuition $210 members ($240 non-members) plus $10 materials list

Many a good painting has been marred by inattentive drawing.  This class will concentrate on the drawing skills most useful to a painter.  Articulation of form, illusion of depth, gradation of values, and principles of composition will be covered.  Drawing's applicaiton to landscape, still life, and portaiture will be explored.

FIGURE DRAWING
Beginners/Intermediate/Advanced  

Instructor: Jeffery Stockberger
Location:  Lodge Hall

Eight(8) Tuesdays, 6:30 - 9:00 PM
April 1, 8, 15, 22, 29, May 6, 13, 20
Tuition $200 members ($230 non-members) plus model fee.

This class will focus on mastering the nuances and complexities of the body's representation in art while working from a live model.  Through the means of individual and group instruction, students will develop and improve composition, technique, and tonal development while concentrating on the human form as a means of expression.  Formal critiques will also be utilized to reinforce and establish good drawing habits.