CLASSES

Spring  Classes 2008 · Drawing · Painting, Workshops

Painting and Painting Critique Classes

Painting

Ron Boehmer
THEORY and PRACTICE of PAINTING
Intermediate/Advanced
Ten (10) Wednesdays, Full day: 9:30 AM - 2:30 PM
March 26, April 2, 9, 16, 23, 30, May 7, 14, 21, 28
Location: Lodge Hall/Outdoors

Tuition: $460 members ($510 non-members)
Half Day option: 9:30 AM - Noon
(Must have approval of the Instructor)
Tuition: $320 members ($375 non-members)

Instruction is focused on structural elements of painting with special emphasis 
on landscape and plein aire painting.
Individual and group instruction, assignments and critique. For intermediate and 
advanced level students.  Beginners or new students wishing to enroll must first 
get the instructor’s approval. Students may work in any painting medium.
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PAINTING
Beginners and Intermediate  
Instructor: Janly Jaggard

 Day Class
  Location: Studio 10
Eight (8) Tuesdays, 1:30 - 4:00 PM
Apr 1, 8, 15, 22, 29, May 6, 13, 20
Tuition $200 members ($230 non-members)

or



  Night Class
  Location: Studio 10

Eight (8) Wednesdays, 7:00 - 9:30 PM
Apr 2, 9, 16, 23, 30, May 7, 14, 21
Tuition $200 members ($230 non-members) 
 

Students are encouraged to work from first hand observation and/or experience using the medium of their choice. Learning to look, respond and record in a personalized way are goals that are within the reach of each student.

Throughout history, art students have learned through the process of copying the 
works of renowned artists.  In this class, students will select, with help from the 
instructor, a work by a master artist and recreate it on canvas.  In the second half 
of the class, students will paint a second painting of their own in the style of their 
chosen artist.
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PAINTING CRITIQUE

Robert Stuart
Intermediate/Advanced
Five (5) Tuesdays, 10:00 AM - 12 Noon
March 25, April 8, 22, May 6, 20
Location: Studio 10
Tuition: $150 members ($180 non-members)

Students bring new paintings in any media to class for constructive group criticism led 
by the instructor. The goal is forward development through a deepening discernment of 
strengths, weaknesses, and direction in one’s work.

A smaller amount of class time will be used to discuss current major exhibitions, 
reviews, and topics in art to broaden students’ awareness of issues and concerns 
in contemporary art.